The author did not forget to describe his rather demanding work just before the end, which not all artists literally do. I like to quote: "I produce photographs using the classic analog negative-positive method and the chemical process of three baths (developer, interrupter and fixer) on black and white paper made on a barite paper base with chlorobromosilver emulsion. On the black and white positive created in this way, which I stretch while wet on a wooden board, I manually apply layers of colored watercolor inks from the Ecoline brand with a brush, which mix with each other and achieve a certain plasticity. I mostly use negatives from the companies Foma or Ilford, which also applies to positive material, with which I still sometimes make enlargements on Agfa photo papers. I zoom in a darkroom with a DeVere 504 with a Rodenstock lens. The original photos are numbered 1-6 or 1-8, which means I may only produce this limited number of pieces. I usually produce another original in a limited edition according to the gallery or collector's request. So it may happen that I won't be able to make eight or six pieces in my lifetime for some works.

There are archival records for all photographs.' I can only recommend this important artistic achievement to you with sincere joy.

Review author: Rudolf Stahlich